Dreamworks, Jerry Seinfeld, Renée Zellweger & Matthew Broderick’s
‘Bee Movie’: Enslaving Human Experimentation & Quantum and High
Profiling Economy Monopolization and Wealth Plundering
© 2009 Brad Kempo B.A. LL.B.
Barrister & Solicitor
Put Steven Spielberg, Jeffery Katzenberg and three top movie stars – all coalition partners – together on a project and you get ‘Bee Movie’ that be about China, Canada and their futures in a world short on patience about inefficacious diplomacy. The film was released six months after HRH Queen Elizabeth’s transfer of sovereign authority to create the Custodian-in-Council and three months after the dissemination initiative began and accountability mechanisms were first being triggered. It reflects the lack of success after beginning in 2004 and working relentlessly through to early 2007.
Unlike most movies, this one was started by Jerry without a script – from scratch. Usually a manuscript or treatment is circulated, a studio picks up the rights and then the screenplay writers and others go to work. Beginning with only an idea, a CGI film about bees, gave him and his collaborators the unfettered ability to author, craft and manipulate everything the geo-audience saw; and they took full opportunity of that. The movie is from beginning to end replete with the use of the lexicon to generate communiqués that sought in 2007 to deliver the coalition’s case through the East-West Corridor to the diplomatic evidence record.
Barry B. Benson is "just an ordinary bee" in a hive located in Sheep's Meadow in Central Park in New York City. Barry recently graduated from college and is about to enter the hive's Honex Industries (a division of Honesco Corporation and owned by Hexagon Group) honey-making workforce. Along with his best friend Adam Flayman (voiced by Matthew Broderick) Barry is initially very excited, but his latent, non-conformist attitude emerges upon finding out that his choice of job will never change once picked. This prompts Barry to leave the hive and see the world on a daily run with the macho, elite "Pollen Jocks", though Adam tries to talk Barry out of it. He thoroughly enjoys his new freedom, and is impressed by the process of nectar collection and pollination, but after being stuck to a tennis ball during a game and flying through a panicky family's car he decides humans are crazy and that he should go home. Unfortunately, it begins to rain and he crash lands on a windowsill. The apartment's occupants have just come home and they close the window before Barry can escape. After freaking out the people inside and nearly being squashed, he is rescued by a female human named Vanessa Bloome and gently put back outside. This unexpected act of kindness intrigues Barry, who goes back in to thank the woman even though doing so would violate Bee Law #1 - "Don't talk to humans". Despite both of their expectations they develop an instant bond - bordering on attraction - and start hanging out together frequently. Of course all of their friends and family are completely upset by this relationship.
While they are going through a grocery store Barry is shocked to discover that the humans have been stealing and eating the bees' honey for centuries, and after venturing to Honey Farms and witnessing the artificial process by which the honey is gathered, he ultimately realizes that his true calling in life is to set the world right by suing the human race for stealing their precious honey. This is later shown on Bee Larry King via Hive at Five. The trial initially goes well, until the main defense lawyer goads Adam into stinging him by accusing Barry of several things which are insultuous to the bees (having a pet-like relationship with Vanessa, being an illegitimate son, since all bees are sons of the queen bee and having incestuous flirtings with the female bees, since all bees are siblings) in order to show the less lovable side of bees, but Barry counters by producing the smoke-machine used by Honey Farms to drug and subdue their bees.
Barry wins the lawsuit, and all honey in the world is confiscated and returned to the bees. However, the defense lawyer warns them they are disrupting nature's balance, which Adam comments to Vanessa that it might be true since bees had been living their previous lives over 27 million years. Too late, Barry and Vanessa realize that they were right: the sudden, massive stockpile of honey has put every bee out of a job, including the vitally important Pollen Jocks. Without bees pollinating the flowers, all plant life begins dying with the entire food chain close behind. To set things right, he and Vanessa find a way to save all the flowers by going to the Tournament of Roses Parade in California and bringing back with them all the pollen-filled flowers to re-pollinate the world. Barry and Vanessa fly the flowers as luggage on a flight from Los Angeles International Airport to John F. Kennedy International Airport. The flight begins to take a detour which would be fatal to the flowers, and in trying to intervene Barry accidentally knocks out the terrified pilots. Vanessa joins him and tries unsuccessfully to fly the plane, but in the meantime millions of bees have rallied together and arrive at the last minute to help them safely land.
Armed with the pollen of the last flowers, Barry and the Pollen Jocks manage to reverse the damage and save the world's flowers, also restarting the bees' beloved honey production.
Source: wikipedia.com
The confidential language of the coalition was, as per standard practice since late summer 2006, embedded in the first moments of the production. The movie opens with a close-up of a closet in the home of the protagonist bee. There are two shelves on which are six pair of sneakers – a total of 12 shoes, a coalition identifier. Each of them are exactly the same and each has three laces – a second coalition identifier. On the third shelf are towels – a total of 14 – a compensation ratifier. The geo-purpose of the introduction is to stress that the coalition is arranging for the Custodian Chief Executive’s to take possession of his historic damages.*
* 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13
Barry says good-bye to his parents, jumps in his car and picks up his friend, Adam, on the way to get their beehive job assignments. A coalition identifying coalition identifier is added to underscore that when the partners have achieved their mission Canada will be much different:
Barry: It’s a special day; finally graduated.
Adam: I’d never thought I’d make it.
Barry: We had three days of grade school, three days of high school.
Adam: Those were so awkward.
Barry: Three days of college. Then I took one day off in the middle and hitchhiked around the hive.
Adam: You did come back different.
After the graduation ceremony Barry, Adam and the rest of the class are taken on a part sightseeing and part lecture tour of the hive.
Their tour guide is choreographed to red flag the fact that the number ‘27’ will throughout the movie be a compensation ratifier; for she executes a Branson Maneuver during…
Choose [your job type] carefully because you’ll stay in the job that you picked for the rest of your life […]; bees as a species haven’t had one day off [B.M.] in 27 million years.
… to high profile the fact the Custodian Chief qua Fiefdom treatise author and coalition diplomacy documentarian literally worked every single day non-stop from February ’06 until movie production wrapped; the only exceptions being when his brain crashed from exhaustion or a family obligation of no more than a day in length. His clients, partners and colleagues observed that he worked some 360 days a year on their behalf and that is an achievement and a work ethic worthy of admiration and went to justify them securing and delivering his massive quantum.
As they’re walking to the job assignment desk they pass a bee selling magazines. The headline message board reads “Bee Goes Berserk”: Stings Seven Then Self”. Embedded is the number eight – a China identifier – and articulates how the Chinada High Command and its ilk have cause massive and severe pain, suffering, loss and death and is about to feel the ‘sting’ of international justice as a result of not capitulating to the demands of the coalition – a self-infliction of suffering principals, financers, followers and supporters will experience when convicted, sentenced and punished.
Timed to this signage, Barry questions the wisdom of not telling students they’re only going to have one job for life. Adam replies with “we’re bees, we’re the most perfectly functioning society on Earth”. They’ve just passed the signage and a bee who’s over-indulging himself on honey delivered from one of three dispensers, then executes a Clooney Maneuver. This draws attention to the malfeasants’ delusional opinion that their paradigm of governance and societal organization is superior to countries fashioned after the principles of democracy, rule of law and human rights, which according to the civilized world is the most perfect of unions notwithstanding some inherent shortcomings.
The pair come across the nectar processing center. There is a military precision to the operation and the discourse used by the team leader of the pollen collectors is evidence of that: “You monsters, you sky freaks, I love it – I love it”. Timed to it are two Harriet Maneuvers and a Colbert Maneuver (a triple play) to red flag what producers and stars alike think of the Chinada High Command. For emphasis, the team leader slugs one of the pollen collectors across the jaw to the last “I love it” to deliver a threat of aggressive action to contain and neutralize the threat it represents.
The two come across to pollen collector groupies. Barry misrepresents his status to get their attention; and when dramatizing a fabricated encounter with a bear, he illustrates how he struck the ferocious animal, slapping his friend five times across the face – a way to describe what causing battery to the Custodian Chief will deliver in terms of compensatory damages. The Federal Court pleadings documents the several times he was battered as part perpetuating a “climate of fear”.
Two pollen collectors walk by and see the two faking their way to admiration and take Barry up on his assertion he’s one of them.
One of them says the team’s going to a sunflower patch six miles from the hive. Barry repeats the distance and executes an Erin Maneuver, which generates the number 12, a coalition identifier, and sets up him referencing the departure point – “J Gate”; in other words justice and the exit the malfeasant are going to take from Canada’s beehive.
The two arrive at the front of the job assignment desk cue. Adam is choreographed to execute a Russell Maneuver to “what’s available?’. The clerk responds with “restroom attendant is always open, but not for the reason you might think”. This is the producers' way of drawing attention to one of the tasks assigned to prison inmates: toilet cleaning duty. That’s corroborated by the clerk offering the bee the “wax monkey” job, referring to the Custodian Chief’s twenty year lab monkey status: 1, 2, 3, 4, 5, 6, 7.
Barry will have none of this straightjacket of a job right out of college and ditches Adam for accepting the pollen collectors’ invitation. He shows up at roll call and then flies off with them.
He runs into problems when it begins to rain and he is separated from the flying formation and ends up in an apartment. He befriends its occupant, a florist, and they go up onto the roof patio deck to carry on the conversation. The topic turns to occupations: she about how her parents wanted her to go into a profession, but her choice was 'florist' because she loves flowers; and he replies “our Queen was just elected on that same campaign slogan”.
He then flies into a round cup handle to continue conversing. That is a most clever formulation of the Olmert-Spielberg Maneuver. It’s combined with the color combination of yellow bee, green cup, white ceramic rim and red straw and key chain bobble – Chinada and quantum, plus a purple table top (justice) and a pink roof top (condemnation). This sought to articulate what should and did eventually occur, namely his election to the Custodian-in-Council top post. Six months before the movie’s release HRH Queen Elizabeth II transferred sovereign authority to the Custodian-in-Council and in May ’07 the Canadian lawyer was the only logical choice for leading it. Thus this part of the film foreshadows his election to the Custodian helm, which came a year and a half after the film premiered.
When they finish their conversation and there’s a moment when the two temporarily experience a romantic connection, he rises and at “this has been great” executes a double-handed Becky Maneuver to generate another isolation-deprivation themed communiqué – this time describing how twenty years without normal, natural interaction for the purposes of finding a companion and wife is anything but “great”; it’s a form of institutionalized torture, and especially so when it’s combined with suffering associated with hypnosis-related human experimentation.
When he returns to the hive and hooks up with Adam, he describes his adventure. To “what were they like?”, he replies:
Barry: Huge and crazy. They talk crazy; they eat crazy, giant things. They drive around real crazy.
Adam: And did they try and kill you like on TV?
Barry: Some of them; but some of them don’t [dbl-h British Parlia M.].
Adam: How’d you get back?
Barry: Poodle.
There was nothing observed in him getting back to the hive by way of “poodle”, and thus this was the first instance of coercive diplomacy drawing on the final scene of Dogville – the Kidmanesque threat of lethal military force and the death penalty.
Barry confesses that he’s got a thing for the human, to which Adam goes berserk, because there’s a law prohibiting contact of that nature. His friend demands that he continue to do what all of his kind do: “thinking bee”. That phrase is repeated eight times; and the scene melds into the next – him luxuriating himself in a pool. The color scheme is again geo-politicized. The pool’s honey is yellow, there’s a red lounge chair and white side table and the octagonal patterned floor is green. A coalition identifier is added when his parents scold him for his not committing to work with “it’s been three days”. Translated: luxury experienced as a result of taking possession of Chinada-extracted damages.
As his parents continue to lecture him he falls asleep and experiences a dream. He swims through the honey until he reaches a scene in the park. His dream girl has a picnic spread out for him. The colors and patterns high profile isolation-deprivation: she in yellow stripes sitting on a red and white blanket, with pink flowers in the background: condemnation and Chinada prison certainty.
She rises to walk to her ultra-light plane because she wants them to explore the skies together. She executes a Diaz Maneuver and he a Russell Maneuver to her sexualized question “are you coming?” and his “got everything” – more in the isolation-deprivation genre of diplomacy which articulates that in due course he’ll have everything – the private jet* and the ‘girl’.
* See U.S. House of Representatives Passes the Dreamliner Act
When he hooks up with his love interest again, they converse about Pasadena’s annual ‘Tournament of Roses’. Producers geo-politicize the friendly rivalry aspect of the event to highlight the global competition for global hegemony between democracy and totalitarianism. They highlight what the Chinada High Command is using to advance its interests in this regard: human experimentation related noise torture – inundating to the point of over stimulating thought processes to generate non-stop reminders of the state and what it’s doing to its victims:
Barry: So they have a huge parade of just flowers here in Pasadena?
Vanessa: Oh, to be in the Tournament of Roses’! It’s every florist’s dream. Up on floats, surrounded by flowers. Crowds cheering.
Barry: [Erin M.] Wow, a tournament. [W-G-K T Id.].
This acronym stands for the ‘Wolf Grazer Kelley Torture Identifier’. It’s lexiconically representative of procuring street soldier car honks and sirens timed to in-residence activity that cause victims to experience a total loss of privacy and feel the ubiquity of the state in their lives. It’s a strategy that’s been in use throughout the 1990s and became more prevalent in the Custodian Chief’s life in early 2002 when the surreptitious assassination without culpability initiative was launched, even more so when he began working on the Fiefdom treatise and then almost hourly beginning in early 2006 when the coalition commenced its full-court-press diplomacy. This practice was reflected back into Canada through the geo-politicized scripts of Dick Wolf’s ‘Law & Order’, Brian Grazer’s ‘Shark’ and David E. Kelley’s ‘Boston Legal’. For those who haven’t done their coalition website homework the W-G-K T Id. is described in this treatise chapter:
Adding a New Element to the Coalition Language:
The Wolf Grazer Kelley Torture Identifier
© 2007 Brad Kempo B.A. LL.B.
Barrister & Solicitor
The evidence continued to emerge week after week in January and February 2007 that coalition partners generating geo-politicized evening television dramas were embedding the torturous use of honks and sirens to red flag topics relevant to Triple “E” issues. Doing so met the test of establishing a new element of the diplomatic lexicon.
The technique of inserting car honks and public vehicle sirens to identify coalition content in scripts has become just as prevalent as Triple “E” recognized gestures, colors and all the other lexiconic elements. What started in May 2006 picked up steam later in the year and by 2007 had become an integral part of the diplomatic language to compel reform, accountability and demilitarization. What started in November 1994 to disrupt his privacy continued more aggressively in late 2001 and became a daily and at times hourly event to saturate the Canadian lawyer’s environment with noises as part of the Article 7 regime; to antagonize and torture him and push him to suicide. It was therefore an important aspect of the coalition’s deconstruction initiative: to reflect back at the malfeasant the techniques, strategies and tactics of their torture regime to make them appreciate that their diabolical behavior was being observed, recorded for evidence purposes and was intolerable.
The first documented case of using honks to red flag coalition content was on May 20, 2006 as documented in How NBC’s ‘Law & Order’ Season Finale Contributed to the Final Stages in the Deconstruction of the Last Democratic Fiefdom:
McCoy: The only way [he’ll] give up his accomplices is to aim a howitzer at him. […] [The murder indictment will be in play], not to mention whatever the feds will throw at him. [Car honks twice from the street]
As the foregoing indicates the embed identifies what is about to materialize in Canada and wherever else the country’s unapologetic ruling elite, wealthy and Canadianized Chinese reside abroad.
The practice is again referred to moments later as the conversation between Barry and Vanessa continues. He’s flying just over her left shoulder and accidentally flies into the face of a passerby.
He swats at him and she reacts compassionately and punitively with “You must just want to sting all those jerks”. In the background the pedestrian is almost hit by a car, and the driver leans on the horn, emitting several torture identifiers. The communiqué here is the coalition want the malfeasant to feel the “sting” of international justice for what they did and especially continuing the practice after the coalition made its presence, intentions and tactics to achieve stated objectives known to the Chinada High Command.
When they walk into a store an alert store clerk thinking he’s doing the right thing takes a rolled-up magazine to the bee on her shoulder. Anything in that form is a Blitzer Maneuver – named after CNN’s anchor. She grabs it from him and then smacks him across the face a total of five times, repeating the face slapping supra.
Barry: What was that? [An advertising] circular?
Vanessa: Yea, how did you know?
Barry: Ah, I think it was 10 pages. 75’s pretty much our limit.
Vanessa: You’ve really got that down to a science.
Barry: Well, we have to. [dbl-Becky M.] I lost a cousin to Italian Vogue.
Bees navigate through a treacherous world. They are subject to being swatted without warning and thus are all-too familiar with the rolled up newspaper and magazine. Producers add another warning of using unannounced lethal military force to achieve stated objectives, tying it to what’s documented in the diary portion* of the Fiefdom treatise – the digits in ‘75’ add up to a coalition identifier, 12, and includes a compensation ratifier.
* See for example The Mid-2006 Daily Torture, Terrorization and Torment Diary: Documenting Violations in the Last Democratic Fiefdom
Barry then discovers rows upon rows of honey on the store shelves and learns humans are misappropriating the benefits of bees’ labor.
[quantum, Presidential quantum]
This sends him on a quest to right a huge inequity. He soon learns of bee farms and concludes his kind have been enslaved for centuries into making sweetener for civilization. The comparison between what they’ve suffered and what the Custodian Chief experienced is high on producers’ minds. It begins with him identifying three brands of honey on the shelves and throughout this scene Vanessa is attired in Canadian prison and punishment certainty.
What follows is a series of scenes where he’s conducting an investigation into the honey industry. First he’s observed in a honey warehouse – the final step in the process before the product hits store shelves. He then traces backwards the production system, following a delivery truck to find out where it goes.
He meets up with a mosquito on the windshield and another instance of lethal consequences relevant coercive diplomacy is inserted when Barry asks insects around him where they’re headed.
Ladybug: I’m going to Tacoma.
Barry: [to grasshopper] What about you?
Mosquito: He really is dead.
Barry: All right.
[drive turns on windshield wipers]
Barry: [alarmed] What’s that?!
Mosquito: It’s a wiper, triple blade.
Barry: Triple blade?
Mosquito: Triple; it’s your only chance.
* Three times, a coalition identifier
Barry and his new friend, a bug that’s very familiar with the ways of humans when it comes to killing bugs for being pests, get sucked into the truck’s roof-mounted horn, where they strike up a conversation. The isolation-deprivation theme is again introduced using a lexiconic gesture and a well-known cultural reference to China:
Barry: Bees hang tight [in hives]. It’s a close community. […] At least you’re out in the world. You must meet a lot of girls.
Mosquito: [Colbert M.] Mosquito girls try to trade up to a moth, a dragonfly.
As this line is delivered a truck labeled “Bloodmobile” drives by, catching the bug’s attention. The military implications in the context of the lexiconic colors of Canada are obvious.
The truck takes Barry to a bee farm. He overhears two workers admiring a new smoke gun, producers call the “Smoker 3000” – a clever way with slang of articulating how the coalition wants to “smoke ‘em” for what the malfeasant have done and are seeking to achieve. They add to his description “90 puffs a minute, semi-automatic”, to create the number 12, a coalition identifier.
Barry sees how the bees are subdued with the smoke and then their hives stripped of honey. A coalition identifier – three workers using squeegees to remove the honey – is timed to him crying out “our honey is being brazenly stolen on a massive scale”. Here is one of the main geo-themes of the film; what the Fiefdom treatise discovered about one of the ramifications of Canada’s non-transparent constituent of governance: decades of wealth plundering through harnessing the work of millions of Canadians.
The next scene involves him alerting his parents. To “I intend on doing something about it” is a table the color of justice, a red honey dispenser on a yellow tray (China) and a green cup (quantum). Translated: the coalition is going to take action to reverse the monopolization of the Canadian economy and Chinada’s hoarding and embezzlement on a massive scale; planning to trace and return that which has been exported out of the country: Repatriating Canada’s Plundered Wealth: An Anti-Chinada Coalition Commitment; Becoming an Economic Superpower Out of the Ashes of Fiefdom-Totalitarian Commu-Nazi Genocidal Racism and 60 Minutes: Coalition Communiqués on Plundered Wealth Repatriation, Asset Seizure, Global Hypno-Torture and Transparency.
When his father asks him what he’s going to do about it, he replies “I’m going to sting them where it really hurts”, employing a Madonna Maneuver – the ‘you’re going down’ gesture. This articulates what’s been in the works and will materialize as soon as the partnership is ready.
He’s emphatic about his methodology of justice: “there’s only one place you can sting the humans; one place where it really matters”. The public solution: television and the transparency it brings. The coalition solution is in significant part delivering ratified historic damages to the Custodian Chief; this articulated with multiple lexicon embeds. At the end of the sentence producers edit-in a TV station ID logo: a screen-filling number five. Before the news anchor is presented there are three previews of news items. And the news team also consists of one who is identified by name as “Jeanette Chung”. With the TV station ID in the middle of the anchor desk, Bob Bumble delivers the opening script: “Our top story: a tri-country bee, Barry Benson, says he intends to sue the human race for stealing our honey; packaging and profiting from it illegally”. Immediately after this it’s the insect version of ‘Larry King Live’. He intros his guests as follows: “Don’t forget tomorrow night on ‘Bee Larry King’ we have three former queens, all right here in our studio discussing their new book. ‘Classy Ladies’; out this week on Hexagon”. The geometrical shape is “a polygon with six edges and six vertices” (= 12).
Larry: Tonight we’re talkin’ to Barry Benson. Did you ever think ‘I’m just a kid from the hive, I can’t do this’?
Barry: Larry, bees have never been afraid to change the world. I mean, what about Bee Columbus, Be Gandhi, Be-Jesus?*
* Three names, a coalition identifier; and see Diplomatically Embraced Multi-Decade Oppressed Lawyers are 2-for-2 Fundamentally Reforming Government: Canadian Lawyer on the Verge of Making It 3-for-3
The kinds of compensatory and punitive damages the coalition in 2007 was contemplating for him personally in 2007 is reflected in one particular initiative (as documented in When T. Boone Pickens Talks, People Listen) and the size of the fund being assembled announced some two years later by the partnership to combat China’s imperialism motivated militarization of capitalism: The Trillion Dollar Trust Account: Coalition Commits Enormous Funds for Democratization, Accountability and Demilitarization.
Barry hits the law books to research his case at Vanessa’s flower shop. Here producers take direction from the Fiefdom treatise analysis and offer their views of Canada’s political and corporate leaders, describing them not as ‘pubescent sociopaths’, but rather ‘pubescent psychopaths’:
Vanessa: How many sugars [in your coffee]?
Barry: I try not to use the competition. So why are you helping me anyway?
Vanessa: Bees have good qualities. And it feels good to take my mind off the shop. I don’t know why, but instead of flowers people are giving balloon bouquets now.
Barry: Yea, those are great…if you’re three!!!
Vanessa: And artificial flowers.
Barry: Oh, those just get me psychotic.
The assessment eventually becomes accurate as argued in:
At the courthouse is the media: human TV station Channel 48 – a coalition identifier. As the commentator begins with “all eyes and ears of the world are anxiously waiting because for the first time in history we’re going to hear for ourselves if a honey bee can actually speak” the truck driver jumps out of the cab and executes a protracted Diaz Maneuver. This articulates how coalition partners who don't have decision making powers on how the government and its military assets are mobilized are holding their breaths in hopes the right strategies are implemented and in sufficient time to contain and neutralize the Chinada threat.
At the plaintiff table Barry asks a rhetorical question of his friend: “Hey you think these billion dollar multi-national food companies have [Andy: Erin M.] good lawyers?” – the lexiconic gesture used to red flag a compliment to the Custodian Chief for his skills prosecuting his Federal Court lawsuit in the face of a maliciously biased (trans-generational corruption and Chinada-loyal) Bench and employing his honed professional skills to advance coalition interests and objectives.
The judge calls the courtroom to order, announcing the file number of the civil action: “Case number 4475” – coalition and China identifiers and a compensation ratifier. When she announces the court “is now in session” producers cut to the defense table where one of the lawyers is executing a Letterman Maneuver to signal that the adjudication of complicity and assessment of quantum has been on-going ever since the world’s movers and shakers announced themselves to the Custodian Chief in the spring of 2003.
To “Mr. Montgomery you’re representing the five major food companies collectively” the judge executes a Colbert Maneuver as she delivers the compensation ratifying communiqué. When the judge turns to Barry, he executes Stewart, double-handed SNL and Letterman Maneuvers (three gestures) to her question “You’re representing all bees of the world?” – a way to articulate how the coalition represents the interests of billions who prefer democracy over the brutality of totalitarianism.
Barry cross-examines a honey farm owner; the geo-purpose of which is to draw attention to one of the coalition’s prime objectives – the emancipation of the enslaved Custodian Chief:
Barry: You’re a ‘beekeeper’. I find that to be a very disturbing term, I have to say. I don’t imagine you employ any ‘bee- freers’, do you?
Witness: Ah no.
[Judge: protracted Colbert M.]
Barry: I’m sorry, I couldn’t hear you.
Witness: No.
Barry: Because you don’t free bees. You keep bees.
Another witness is cross-examined – an Emmy Award winning Hollywood actor who lent his name to a honey product. When he’s pressed too much, he explodes in a rage, striking the witness box with the Emmy he’s been holding a total of three times, to: “Why doesn’t somebody just step on this little creep and we can all go home”. This demonstrates the frustration and impatience the coalition has with the Chinada High Command. The NATO Alliance just put imperialistic totalitarianism into the dustbin of history and some fifteen or so years later must deal with it again. Since China and Canada combined are still relatively small compared to the United States and even more so when the entire coalition partnership is considered (Comparing and Contrasting the Size of the Coalition and Chinada), it wouldn’t take much to effect a military rout; after which everyone could go back to what they desire most.
When court reconvenes and Barry’s not present the judge asks Adam where his co-counsel is:
Judge: [Colbert M.] Mr. Flayman…
Adam: Yes. Yes. Yes*, your Honor.
Judge: Where is the rest of your team?
Adam: [Colbert M.]
* Three times, a coalition identifier
This is the coalition’s way of identifying itself to those who don’t believe it exists; a matter that was fully addressed in Carol Burnett, Charles Osgood, Steve Carell, Amy Poehler’s ‘Horton Hears a Who’: High Profiling the Fiefdom Treatise Audience’s Disbelief in the True Nature of Canadian Governance and Existence of the Coalition.
Barry arrives and whips up the plaintiff's gallery of attendees, tens of thousands of bees who came to watch the proceedings. When he states during his closing statement “Please, free these bees”, producers arrange for two rows of five bees to alternate jumping up and down; thus generating a demand that the Chinada High Command release the Custodian Chief from his decades of bondage to the human experimentation regime; a demand that went unheeded and thus led the coalition to assess even more damages in his favor and eventually electing him to lead the country out of the ideological abyss of militarized totalitarianism.
When the courtroom clears and Adam and Vanessa have a few moments together, the following is said between them:
Adam: What if Montgomery [opposing counsel] is right?
Vanessa: What do you mean?
Adam: We’ve been living the bee way a long time: [Colbert M.] 27 million years.
In other words, all the Custodian Chief’s ever known throughout his adult life is enslaving human experimentation, torture, isolation-deprivation and failure. Consequently, he’s entitled to the damages assessed against his nemeses.
The case is won, but the alteration to the bee lifestyle led to them abandoning their critical function for nature and humanity. All plants die because there was no more pollination. Vanessa comes up with a plan. They appropriate the Tournament of Roses flowers and use that pollen to resurrect the plant world.
The DVD’s Bonus Features are also geo-politicized. The first element of this was turning the Chinese head of digital operations, Derek Chan, into a billboard for achieving stated objectives. During his interview he is video linked with a colleague in New York who employes the lexicon. Derek states:
It was a technical marvel to be able to step into a room [and] connect [collaborator: Geo.W M., Diaz M.] with the people who are making the film here.
The purpose of the film was to demonstrate the “connect[ion]” between the principals and producers and their Canadian representative and their mutual nemeses.
Jerry Seinfeld indicates he “didn’t have an idea for the movie; all [he] had was the title” – which wasn’t the normal kind of circumstance in Hollywood where a script gets farmed around until it’s picked up. This allowed him the luxury of formulating the film in any way he wanted because it was his movie. He states in conjunction with an associate:
I didn’t know what to do and he [i.e., Jeffery Kratzenberg] [clip: collaborator Bl.M.] put me through this crash course of his how you make one of these movies; and then he pushed me to make it myself.
This was Jerry and the coalition’s way of saying how the partnership put the Custodian Chief through a “crash course” on that which will serve him well as he fulfils his duties pursuant to his elected office. How he was educated is documented in Six Times the Coalition Offers the Canadian Lawyer the Position of Custodian-in-Council's First Chief Executive.
To the matter of covert regime change, a colleague, Christina Steinberg, states employing the lexicon:
I think getting Jerry to do this movie was an amazing coup. Jeffery Kratzenberg was hounding him for 12 years.
Director Steve Hinckner states:
[O-S M.] Every little detail of this movie has been influenced by Jerry and his sensibilities.
In other words, the film was produced, scripted and choreographed to advance the coalition’s interests and objectives.
Later he states:
[A character] is played by Rip Torn, who is [dbl-h O-S M.] absolutely perfect casting for it.
He's expressing the view that the Custodian Chief is ideal for whatever responsibilities the coalition places on him, which in due course was the Custodian-in-Council’s top job and managing a trillion dollar trust account.
Right after this section of Steve’s interview a clip is added – the one where the pollen jocks are being greeted by the team commander – to underscore what the film’s principals and producers think of the Chinada High Command:
You guys did great – you’re monsters ... sky freaks.
He put his affection for the project, his disgust for the malfeasant and his determination to help get rid of the latter this way:
One time they asked me what was the thing I liked least about working on Bee Movie; and that was simple: and that was [clip: colleague: Colbert M.] someday this is going to end – because Jerry Seinfeld is [Jerry: R-S M.] truly one of the most wonderful collaborators I’ve ever worked with.
The Bonus Feature gets diplomatically coercive by editing-in a clip from the film: actor Patrick Warburton executing a Brooke Maneuver.
Jerry: This little bee totally unnerves [Vanessa’s boyfriend].
[clip]
Ken: You know I’m allergic to [bees]. This thing could kill me.
Later he employs the Clooney Maneuver to describe how much he loved contributing to coalition activities:
For the most part you end up working by yourself in the studio. And this has been [Cl.M.] so much fun.
Chris Rock, who does the voice for the mosquito, is filmed in studio and he and Jerry produce another instance of coercive diplomacy. He gestures with an Erin Maneuver simultaneously with Jerry’s Brooke Maneuver:
Mosquito: I’m going to Alaska – [where there’s] moose blood. Crazy stuff. It blows your head off.
